Photo Credit: Wikipedia, Palm Leaf Manuscript
I’ve always been fascinated by ancient Sanskrit manuscripts. According to some estimates, India holds around five million manuscripts today—but scholars believe that’s only 8% of what once existed. Imagine the knowledge that has been lost. What were our ancestors trying to tell us? How was life in the past?
It’s easy to assume that people in ancient times were less advanced, but what if that assumption is wrong? Some myths describe technologies so sophisticated they seem impossible—until we start uncovering traces of them in history. That question led me down a path of forgotten manuscripts, hidden research, and suppressed truths.
Some stories never leave you. Every year, Ravana’s effigy burns, symbolizing the victory of good over evil. But was he truly a villain? He was a scholar, musician, king, and devoted worshipper of Shiva. His empire stretched from Lanka to the Deccan Valley. So why is his story told only through one lens? That question lingered in my mind and shaped the heart of my novel.
As a child, I was captivated by the Vimanas in the Ramayana—flying machines that soared across the skies long before modern aviation. But were they just myths, or was there something real behind them?
Years later, I stumbled upon obscure research that hinted at a hidden truth. The deeper I dug, the more I realized this wasn’t just a legend—it was a puzzle waiting to be solved. And so, The Asura’s Curse was born.
Photo Credit: Wikipedia, Ravana
Egon Von Eickstedt
Photo Credit: Deutsche Digitale Bibliothek (deutsche-digitale-bibliothek.de)
History is often rewritten—not just by time, but by those who control the narrative. One of the most disturbing examples? The Nazi obsession with ancient India. During World War II, German researchers scoured South Asia for traces of lost civilizations and advanced knowledge that could support their racial theories. Their search led them to forbidden manuscripts, hidden symbols, and myths of flying machines.
Decades later, classified reports hinted at something buried off the coast of Lanka—something linked to these ancient texts. What I found in my research was more unsettling than I expected. And it became the foundation for The Asura’s Curse.
History isn’t just about what happened—it’s about who tells the story. From colonial powers rewriting ancient narratives to governments classifying archaeological discoveries, the past is often shaped by those in control. Even today, research into ancient civilizations is met with resistance when it challenges mainstream history.
What if the truth was buried—not by time, but by those who feared its implications? The Asura’s Curse asks that question, forcing us to reconsider what we think we know about history.
Photo Credit: Palm Leaf Manuscripts — Diane Savona
Photo Credit: Wikipedia, Iron Pillar of Delhi
For centuries, ancient texts that described flying machines, powerful weapons, and advanced metallurgy were dismissed as mere fantasy. But today, scientists are beginning to reconsider:
🔹 Unexplained aerial maps found in ancient times
🔹 Indian metallurgy techniques that still puzzle modern researchers
🔹Structures built with precision that we struggle to replicate today
Could these ancient accounts have been early descriptions of real technology? The Asura’s Curse weaves together these threads, challenging the idea that progress only moves forward.
Across cultures, myths speak of lost civilizations and forgotten technologies. Today, we are rediscovering engineering feats that defy explanation—from precision-cut megaliths to ancient texts that describe machines beyond their time. Did our ancestors know more than we assume?
The Asura’s Curse explores this hidden history—because sometimes, the past isn’t just a story. It’s a warning.
Photo Credit: Rasika Muthucumarana, Maritime Archaeology Unit of Sri Lanka
A continuation of an ancient culture that lives even today in the hearts and minds of its people. A story that takes you deep inside its rites and legends. The mystery of a secret wisdom. A journey to India.
Many scholars believe that the figure carved on this steatite seal produced by the Indus Valley Civilization lasting from 3300 BCE to 1300 BCE represents Shiva (National Museum of Delhi)
(The image shown here is a manipulated imitation of an ancient Sanskrit manuscript)
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